Saturday, June 24, 2023

Stone Country


The young philosophy grad Riki from West Java, the region from where his namesake Kurniawan the writer hailed, needed to get off for his prayer. The day before it was the same at a similar time of day, though now it was Friday. 

Interesting shared judgement on Eka K, incidentally. Despite all the fanfare, the compatriot was found to be a rather pale and suspect shadow of the magic realism masters, transposed to these other Asian Tropics here.

Shortly after leaving the kopi shop after Riki, the gathering at the nearby masjid surprised. Two hours south of Singapore, the Friday prayer was one hour earlier—noon local time. (The fajr same, 4AM, with Nurul Huda standing twenty metres from the room in the losmen.) 

Last Friday’s prayer at NH had been forgotten between times. 

This kind of Friday gathering spilling out onto the pavement had been seen a number of times, not in Singapore, but up in Malaysia at a couple of mosques in KL.  

There was no real mind to stop and watch, certainly not before the rows had been passed a little way.  

Finally, a weak impulse was acted upon; the shade of a sapling provided sufficient shelter beside a young girl seated on a bench. 

The fear of intrusion was always a factor at places of worship, even in Christian churches. There seemed something a little indecent looking upon people at prayer, especially people prostrating themselves. That someone might take exception to the matter would not surprise, a bystander perhaps, as the congregation in this kind of case had their backs turned, of course.  

Here numerous becak drivers remained seated in their vehicles and others continued along the street with their touting, unconcerned. The old fruit-seller had moved out from her usual perch to make room and sat on a bench closer to the masjid. Shoppers continued to-and-fro, numerous Indo males among them. As usual, there were no women visible among the congregants standing before the mats. Forty-five minutes later, three or four were found lacing their shoes by the entryway of the mosque, having come from indoors somewhere. 

Late-comers were still arriving during the stop. It must have been ten or more minutes past the hour. Nothing from indoors was audible on the street; almost certainly nothing by even the men closest to the entryway. This always made for an odd scene of stationary figures standing stranded, heads bowed, without any order or structure apparent. Even Nurul Huda, hidden within a narrow gang, used some amplification for calls at least, if not the imam’s sermon or the prayer. 

Men at the ends of rows made space for the late-comers, which was not easy, as some of the latter had not brought their own mats. It seemed some kind of light and flimsy aluminium-backed sheeting was being improvised for those without. With bags and sandals the sheets were anchored well enough in the breeze. 

There may have been one prostration before the last three young lads arrived on the scene, with a sizeable gap before the men went down on the mats again. Three young handsome men in their twenties, who did not appear Indos, though that may have been wrong.  

            The body of men stretched about fifteen metres either side of the mosque entry, stationary, settled, heads bowed and arms crossed on their chests, hands clasping elbows, or low on the bicep. Three or four deep from the wall and in places five or six deep.  

            Among the three late late-comers there was some hurry; very likely they had missed the first prostration.  

            The lads came to a halt and made toward the edge of the pavement. In the gutter there drivers waited in their becaks and others by them in their fancy horse-drawn carriages.  

A quick scan failed to find Riki the Phil student among the pavement congregants. Many of the men there were of his age, in their late twenties, with lesser number older interspersed. The haircuts and colour of the three late-comers suggested they might be from elsewhere.  

Along the edge of the tiled pavement speckled spheres of composite concrete with a glazed finish stood in a row. These barriers against motorbikes and becaks had been added in the recent civic beautification. There was no more broken tiling along Malioboro, no more volcanic ash or refuse. The former crowded street stalls had all been moved into new quarters in a number of locales close behind the shop rows. The colourful becaks that had long been a feature of the strip had been cut back by perhaps more than half. With less hustle and movement the scene had lost a degree of its charm.  

One of the chief candidates in the forthcoming presidential election was the governor of Western Java, who was also a practicing architect. In Bandung some of the civic space that had been created under the influence of this man had produced a favourable impression.  

The baubles on Malioboro measured about 500mm in diameter, often serving as seating and photographic staging posts. They seemed unobjectionable, though not especially inspired.  

By a couple of the baubles along that section of pavement near the mosque there stood half-filled plastic water or tea containers, left possibly by members of the congregation.  

In the quick it was unclear what the men were doing stopped by the stones. One of them was observed washing his hands it seemed at first, from waters or liquids taken from somewhere. 

The lad was clasping and folding his hands together. A companion beside him was bent at the stone rounds. Another, the third, began patting the stone spheres.  

One of the threesome began caressing the stone, beginning at its top and then along either side. 

Having swiped over a good portion of the rounded stone, this man brought his hands up to his face and made as if washing. The cheeks were first pretend-cleansed, then his brows, his neck and finally behind his ears. 

Beside him at the stone one back his companion was beginning with the same. 

Glazed and gleaming a little, the stones would be far from clean sitting there by the ceaseless traffic. The grime might not have been readily visible and perhaps the young men did not feel any on their fingers or hands.  

There had not been any water sprinkled over the stone. Becak drivers and stall-holders often turned aside from their places to wash their hands from water bottles. These young men at the Friday sermon had not brought any provisions, neither water for their ablutions, nor mats their prostrations.  

You could not possibly imagine a more inspired improvisation.  

One could not perform the prayers without the carefully established protocol. The procedure of the ablutions was carefully laid out step by step in the Qur’an, it must have been. At first reading the detailing in a book of revelation surprised.

The onlooker in this instance very nearly broke into hosannahs on the spot. No exaggeration. A man hailing from a country of stone, stunning white karst that hurt the eye during some seasons in this particular case, perhaps a reader could understand. 


 

                                    Yogyakarta, Indonesia 2023




Monday, June 19, 2023

Piano &. Becak


 

Shaving again this morning, keeping up appearances, brought back Pak Sulaiman. Since the news from KL Pak Sul had been much in mind. The night before a chap in the gang sitting on his bike, using the rear view to check on sparse whiskers again triggered. 

            In these cheap rooms in Indo & Malaysia, especially the losmen in the former, keeping that delicate, wonderful beard of Pak’s in perfect line would have been a task of hours. Well, 20-25 minutes concentrated attention certainly, before Sul could allow himself to get out on the street. Like the man in the gangbetween times over the course of the day, no doubt there would be further regular monitoring.

            Such a handsome figure did Pak cut, adding the judiciously selected batik and regal manner to match. Short of funds and relying on the generosity of the Dato up in KL, nonetheless the full production was always eye-catching. Only a real artist could create that kind of assemblage. 

            Some years ago Pak’s writings on Islam and his love of the  Malay culture had won him the regard of the rich Dato, the owner of an extensive fast food franchise in the northern capital. While Pak Sul was still teaching at the university up there, Dato had promised him a stipend for life, now become indispensable in his precarious circumstances in his eighties. 

            Recent photographs showed a sorry physical deterioration. The beard had gone, in its place numerous bloody melanomas they must have been over that truly putih face. The saving grace was one young former student’s devotion and the clearly superior nursing home, as evidenced by the swimming pool outside the dining room.  

            These eight or nine years later Sul’s playing in particular at the music shop in Jogja returned to mind. At the time the performance had been quite startling enough; now with the new perspective the example of that former vitality, the musical capacities and other dimensions of the man, stood against the woefulness of that overthrow up in KL currently.

            The broken pavement tiles were no more now around the Malioboro tourist precinct at least. The knick-knack stalls along the strip were no more, cleared out by the municipal authorities and relocated in various corners off the main drag.  

            As a consequence the area had lost its hustle and some of its charm. The number of becaks, an outstanding feature of the quarter, had been reduced by more than half. It reminded of the sorry case of the Thieves’ Market in Sing.

            There were many different writings inspired by Pak Sul. (The man didn’t like the abbreviation. Muslims did not truncate their names like that, he maintained, which was of course quite wrong.) We had gone on two forays seeking possible marriage options for the gallant. We had gone to a poor kampung in Surakarta to assess a family’s appropriateness for financial assistance. (Sul had a fireman in Marseille ready to contribute to a worthy cause.) There were two or three outings to the Subud group, an ecumenical order with some strange practices reminiscent of primal scream therapy.

            Preceding all of these there was the music school visit.

            Sul was an irascible old buzzard. Decades ago the American family had essentially disowned the convert. The prospective matches smelt out his parlous financial position; in his mid-seventies the impressive beard and attire wasn’t going to swing the deal. Sul needed and deserved special consideration.

Here is one of the earliest passages from the first weeks in the acquaintance, June 2014. The Rameau at the music school.

 

 

 

Mid-morning teh tawas manis—black sugarless tea—on a Chinese corner across from Beringharjo. High tables and chairs with backs, good lighting and fans.  

After so long in Singapore, the absence of the Chinese in Central Java was noticeable.  

Faris the Arizonan convert had made an unavoidable point earlier in the morning on the return from the music school up a short distance off Sosrowijayan. With his mounting dental problems, soft food was important for Faris; he had spied the sign for bubur in passing. 

We had popped into the stall on the way out and returned after his performance, only to find the common Chinese blankness at the encounter with a stranger.  

At the stove the woman had not only paid Faris no regard, quickly turning aside, but there had also been a kind of scowl flashed. Something that was not to be endured.  

— I'm not going to accept that, Faris declared, turning on his heels and allegro down the steps.  

The not uncommon reception from the wary Chinese here, that was in marked contrast to the ready and generous Indos at virtually any encounter. It prompted Faris to recall the terror at the fall of Soeharto. 

A room opposite the reception desk at another generic hotel turned out to be the music school Sul had mentioned a number of times, piano one side and two electric keyboards opposite. Dark, drab and tight, the high ceiling was the small concession.  

Approaching his mid-seventies, Faris carried a paunch that resulted in a heavy tread. Melanomas had long threatened his pale skin and the last of the teeth were going. (Poor maintenance in earlier years was owned.)

Whereupon at the keys in this lacklustre, unpromising space, a young, energetic and astoundingly nimble sprite suddenly leapt out, as if from behind a fern, with a Rameau improvisation that had been developed decades back by the talented young pianist and his teacher.  

Here were racing passages, feinted returns, virtuoso dashes and plunges into sudden depths. The sweep of the movement, its intricacy and force, took a listener away on a breathless chase. You sat flushed listening to that boundless elan.

After the Rameau introduction in the eighteenth century the program progressed steadily in the direction of the present. Two Beethovens and a Schubert were included, before Faris rounded back to Mozart for the finale.  

In the event the piece might be found corny, an apology from Faris had preceded the Fur Elise.  

The Schubert recalled Faris to Brahmas' love for his friend's wife, Clara. Being a gentleman, Johannes had restrained himself, channeling his feeling into his music, Faris explained.  

Closely acquainted with unrequited love himself, as was to shortly emerge, Faris infused his interpretations here with the ache of years past.  

In earlier years Beethoven had been Faris's favourite; since the colossus had been replaced by Mozart, who gave some little trouble that morning.  

The small room contained all this swelling force unleashed by the Arizonan convert, at Rp25,000 for the half hour. On entry it had been assumed the owner of the hotel indulged the old man, providing access to the instrument. It was a small sum to provide for the privilege of the performance.

Outside returning via the bubur stall, the treacherous, broken pavement needed to be negotiated, piles of soft volcanic dirt in a number of places underfoot and pungent fumes from the road, all of which had not been anywhere apparent earlier coming out.  

It was often thus after the music, Faris remarked enigmatically.  

Faris had forgotten his mask and cap at the hotel. (2014 well before the Pandemic of course. For a number of years Faris had been using some kind of mask against the traffic fumes. Many of the becaks were beginning just then to convert to motorisation, which Faris decried.)

 

 

                                                                                                           Yogyakarta, 2014 - 23

 

 

 

 

Watch the Gal Go (April24)


You have got that pretty clearly fixed now. It took long enough. Young nubile girls in particular concerned, perhaps in Central Java more than elsewhere across the archipelago. (It slipped off somehow for older gals and needed a little while to manage for the younger, mid-teens.) In essence it was simple enough: the shoulders are pulled back a smidgeon, which brought the chest out. As a consequence, this drew the head back and the movement being from the hips, the bottom does not protrude. Along they slowly paced like that under the verandas, pelvises leading. There was nothing provocative in the gait; nothing in the expression suggesting womanly confidence. In sum, the effect created was of solidity, firmness and stability. Not all the lasses attained the feature of course. This morning the girl on Malioboro up toward Beringharjo was on the stout, thick-bodied side. It was this bodily form that seemed to develop the propensity. No real sexual allure was sought or involved; or at least that was not the direct effect. Standing up before the male gaze, it would serve a young lady excellent well. 

 


Tuesday, June 6, 2023

Publication re-issue: Burung - Bird // Literary Veganism

 

Hallo & zdravo all
A re-issue of a work to report this time.
Burung - Bird, a piece on the Yogyakarta Bird Market in Central Java, was published 5 years ago by a US online magazine called Entropy. Since then this mag has folded and its archive was eventually voided. Recently the Literary Veganism guys, also up in the States, have given the piece a new home.
Free access for all you animal lovers, 1,500 words. Hope you like it again, and newcomers with fresh eyes.
The editor Gregory Tague has tagged the story nicely, "From colourful songbirds to crispy fried chicken..."
All best in these troubled times
Pavle